The Terminal List: Dark Wolf | Episodes 4+5 | Recap, Review, and SPOILERS
No Limits: The Thriller PodcastSeptember 23, 202500:46:39

The Terminal List: Dark Wolf | Episodes 4+5 | Recap, Review, and SPOILERS

The adventures of Ben and Eliza! Chris and Mike are joined by the creator and host of The Terminal Vengeance YouTube channel to break down episodes 4 and 5 of The Terminal List: Dark Wolf on Amazon Prime Video. SPOILER WARNING: We are the thriller deep-dive after show!


The conversation delves into the pacing of action scenes, thematic elements of war and morality, and the mystery surrounding the plot. They also touch on cameos, Easter eggs, and predictions for the future of the series.


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CHAPTERS

04:52 Building a Community Around Books and Shows

08:02 Connecting Dark Wolf to True Believer

12:20 Anticipating Future Episodes and Guest Appearances

20:03 Character Development and Story Arcs

25:02 The Fog of War and Moral Ambiguity

27:33 Character Development and Storytelling

28:56 The Role of Writers in Shaping the Narrative

30:46 Cameos and Easter Eggs

32:20 Action Sequences: Expectations vs. Reality

35:30 Character Philosophies and Moral Dilemmas

39:16 Predictions and Future Episodes


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KEYWORDS:

Dark Wolf, Terminalist, Jack Carr, TV shows, book adaptations, character development, action scenes, community building, spoilers, military thrillers

#NoLimitsPodcast #ThrillerPodcast #ThrillerPod #SpyThrillers


00:00:17
Hey, guys, I'm Chris. And I'm Mike.

00:00:21
And welcome back to this week's and no limits, the Dark Wolf

00:00:25
after show how you doing today, Mike?

00:00:29
I'm good and I am very happy to introduce a special guest.

00:00:33
We are joined by TV, the creator behind the Terminal Vengeance

00:00:39
YouTube channel, Friend of the pod for a number of years now.

00:00:43
Welcome TV, you got to tell us all about your channel.

00:00:46
Thank you all for having me. Yeah.

00:00:48
So I started my channel a few years ago.

00:00:51
I basically make what I wanted to watch on YouTube.

00:00:54
I wanted to see people talking about the show and nobody really

00:00:58
was. So I started and I do like

00:01:01
Easter egg breakdowns, find the hidden details and like the

00:01:05
callbacks to the book and then make a video on it and I guess

00:01:10
people like it. Yeah, that's that's kind of why

00:01:14
we want to be the after show. We want to do those spoilers as

00:01:17
well. We want to dig in deep, find the

00:01:18
Nuggets, make it accessible for anybody who just watches the

00:01:22
shows, the first Terminal of season or now Dark Wolf so that

00:01:25
they have an after show to go to.

00:01:27
But we also want to bring people to the books.

00:01:29
That's our ultimate mission. We're book readers through and

00:01:31
through. I I mean, you and I connected

00:01:33
first a few years back over the books, the terminal list and I

00:01:37
think Red sky morning was coming out at the time and and so that

00:01:40
that has to be the mission of both the show itself and all the

00:01:43
commentary about the show. Let's get people to the books

00:01:46
because that's where James Reese is really James Reese.

00:01:48
I think on page is the James Reese I know and love.

00:01:51
The TV shows are fun, but we got to get people reading the books.

00:01:54
They're just incredible. Oh yeah, for sure.

00:01:57
I think it's easier to get people to watch a show, but it's

00:02:01
harder to get people into books. But when they get into them,

00:02:04
they're just hooked. So it just makes my day whenever

00:02:07
someone says I decided to buy the book and I'm loving it.

00:02:10
Yeah, no, it's it's great now I love your I love your

00:02:13
breakdowns. Like it, you know it.

00:02:15
It's interesting because I want this community to be like, you

00:02:22
know, I don't know, I, I look at some of the other things that I

00:02:25
want or I watch from, you know, like nerd verse, right?

00:02:31
You know, whether it's Marvel or X-Men, you know, like any of

00:02:37
these like IP machines. You know, you have a bunch of

00:02:40
podcasts out there, you have new rock stars, you have like the

00:02:42
ringer verse. You have a bunch of them yet

00:02:46
like they're they're and I don't, I feel like we're these

00:02:49
books aren't like that super niche.

00:02:51
Like they're literally New York time bestsellers.

00:02:53
Like every year. Like, you know, you walk through

00:02:55
any airport, you walk through any bookstore, you're going to

00:02:57
see it there and it's, it's pushed, but yet like the this

00:03:00
kind of community doesn't quite exist.

00:03:03
And so, you know, definitely, obviously love having you on and

00:03:06
want to elevate your stuff. I want more and more people to,

00:03:10
to like and subscribe and, and, and engage in this community

00:03:13
because the more people we get watching us or, you know,

00:03:16
watching you, listening to you, listening to us, I feel like it

00:03:19
just would breed other creators. You know, it just builds upon

00:03:23
this community that we would like to see happen.

00:03:28
Yeah. And I think age demographic as

00:03:31
well might be a difference. Some of those IPS you mentioned

00:03:34
and those channels like New Rockstar, Screen Rant, all the

00:03:36
others. I do wonder if older

00:03:39
demographics, I'm talking, you know, 50 plus would necessarily

00:03:43
be going to that media and content.

00:03:45
And I feel like they're not. But, you know, TV, your channel

00:03:49
speaks to a younger demographic. You yourself are, you know, on

00:03:53
the younger side, still in school.

00:03:55
So I feel like that, well, you need new media to do that,

00:03:57
right? You need the social media, you

00:03:59
need the podcast. And I think there's a big

00:04:02
opportunity. I don't know if it's years away

00:04:04
from channels like ours and yours popping off.

00:04:07
Yours has already grown massively looking at your stats.

00:04:10
So keep it coming. We want more of that.

00:04:12
What is it? A rising tide lifts all boats.

00:04:14
It's this space is definitely not crowded out like some

00:04:17
YouTube genres, you know, cooking, food, golf.

00:04:21
I feel like those things are so over saturated.

00:04:23
I think book YouTube is not there yet.

00:04:26
I think we're just on the precipice.

00:04:29
Yeah, for sure. You very rarely get to be the

00:04:32
first or the only, but sometimes, since nobody else is

00:04:36
talking about it, I am the first or I am the only person.

00:04:39
And I y'all too, like I've been listening to y'all talking about

00:04:42
Dark Wolf and it's been great to have someone else.

00:04:46
It's like when you see something, if you don't have any

00:04:49
friends that watch it, you want to talk to someone about it.

00:04:52
And that's kind of what the podcast is like.

00:04:55
Yeah, I mean, Mike, I don't know if you cut ended up cutting it

00:04:58
out of the episode or not, but like we went on this rant about

00:05:02
the lack of cultural zeitgeist that exists in in the world and

00:05:06
how I'm enjoying that. You know, Amazon Prime put out

00:05:11
like the first 3 episodes and is putting out these episodes one

00:05:14
per week because one gives me something to look forward to.

00:05:17
I'm a busy dad. I don't have time to binge, you

00:05:20
know, shows like I used to back in in high score college, but

00:05:24
also like, you know, it builds some suspense for it.

00:05:26
And like, I'll I'll be texting Mike or I'll I'll text in our,

00:05:31
you know, GroupMe chat. Like, Hey, like, what did you

00:05:33
think about this? What do you think about that?

00:05:34
You know, I feel like we've gotten farther and farther away

00:05:37
from that as a society back to, I don't know, like when one was

00:05:40
a lot. I guess Game of Thrones was

00:05:41
really the last one that that was kind of like that, you know,

00:05:44
breaking. I remember, I remember when the

00:05:46
Breaking Bad season finale came out.

00:05:48
This is dating me and like, you know, going to work right after

00:05:52
that and everyone was talking about it or, you know, like when

00:05:55
everyone hated the season 8 of of Game of Thrones, like

00:05:58
everyone was talking about that. So I don't know.

00:06:00
But I like, I know there are people that are engaging in this

00:06:03
in this season, Dark Wolf, people at work, you know, have

00:06:07
randomly brought it up and they're liking it so.

00:06:10
I think the marketing end on the production team side is way

00:06:14
better than the terminalist season 1.

00:06:17
For some reason, it's more findable on Amazon is more

00:06:20
billboards and things you know you're seeing posted in airports

00:06:23
and bus stops in major metropolitan areas.

00:06:25
So I feel like things are clicking now that weren't

00:06:29
necessarily there on the first run of the TV show.

00:06:32
And I think that's resonating with all these new media groups

00:06:35
because even, I think it was Screen Rant did some interviews

00:06:38
with all the actors. And however that publicity

00:06:40
machine gets rolling, I'm seeing Taylor Kitsch, Tom Hooper,

00:06:45
they're out on tour, right? They're they're doing tons of

00:06:47
content, tons of interview with big name media outlets.

00:06:50
And I don't recall that happening to this level.

00:06:52
Maybe it's also Chris Pratt's production team.

00:06:54
I know he has a big role in the show.

00:06:57
I, I just think they have a bigger platform with Dark Wolf

00:06:59
than they did the terminal list. And I'm kind of glad about that

00:07:03
one. I, I think it's just an overall

00:07:05
better show. I think it's more likely to

00:07:08
drive people to the books as well.

00:07:10
Even though James Reese was barely a figment of our

00:07:13
imagination episode 1 and poof gone like one and two and wasn't

00:07:17
even in real two really just a little in the beginning.

00:07:19
So I, I feel like I'm OK if people start with Dark Wolf, get

00:07:24
a little taste, either watch the show or read a book and they are

00:07:28
absolutely coming back to true believer.

00:07:30
And we didn't even say it. We are spoiling episodes 4:00

00:07:33
and 5:00 today. We already covered Chris and

00:07:35
I-12 and three. So TV, you're with us to talk

00:07:38
about four and five. These episodes are a massive

00:07:41
setup for True Believer. Like they're doubling down,

00:07:45
particularly in five with some things we get about Wraith

00:07:48
during the torture scene. Do you guys feel it?

00:07:50
Almost Dark Wolf is subtly and you wouldn't see it unless you

00:07:54
were a book reader, is subtly also teeing up True Believer to

00:07:57
come next year or 27 or whenever we get it.

00:08:02
Yeah, definitely. There's so many things that that

00:08:06
are like callbacks to the book. But like you're saying, if you

00:08:10
never read the book, it's not like in your face and you're not

00:08:13
getting lost when these these details are thrown in.

00:08:18
Yeah, I think it's, you know, we I don't know if we were talking

00:08:22
about this last time or, or offline.

00:08:25
While we love True believer as a book, I I felt like it would

00:08:29
have been hard, a hard jump to go from the terminalist to that

00:08:34
one, just like the way the book set up with, you know, the whole

00:08:38
beginning, being on a boat and traveling to Africa and all that

00:08:40
stuff. But then a lot of it is call

00:08:42
back. And so, you know, him thinking

00:08:44
about like the past or reminiscing about something.

00:08:47
And so instead of having that, you know, 1 putting it in this

00:08:53
origin story, in this medium here, obviously, you know, we

00:08:58
only got the the Cavs a big star in Taylor Kitsch for Ben

00:09:02
Edwards, and you want to get your money's worth out of that.

00:09:05
And I I would say he's doing very good in this episode.

00:09:08
And you're, you are seeing his progression, you know, teeing it

00:09:12
up to like, all right now. Now maybe I can understand more

00:09:15
of like how he, you know, and ends up switching in in in the

00:09:19
future in terminal list. So, yeah, I, I think, you know,

00:09:23
whoever sat down and was like, Hey, what do we do next?

00:09:26
I, I, I, I'm fully agreeing with like, all right, let's take a

00:09:29
step back. Let's do this prequel show, you

00:09:32
know, because we have what we have.

00:09:34
And I think it it's going to make Terminal List Season 2 true

00:09:38
believer that much better. Yeah, perfectly said.

00:09:43
Yeah, I, I can't agree more with that decision being the right

00:09:46
one as the direction to take the show.

00:09:49
And sometimes you do when books go back in time, think about

00:09:53
Mitch Rapp, right when Vince Flynn did American Assassin and

00:09:57
then that trilogy never wrapped up.

00:09:58
Then he jumped ahead and, you know, ultimately ended up with

00:10:01
The Last Man. I feel like some people were

00:10:03
lost. Some of the readers got a little

00:10:05
confused about the timeline and it opened up this whole where do

00:10:08
we begin? Do you begin with American

00:10:09
Assassin? Do you begin with term limits or

00:10:12
transfer power? I could see that happening with

00:10:15
The Terminalist. But I think over time, let's say

00:10:18
they make 6-7 whatever TV shows, dark Wolf's number one, like I,

00:10:22
I do think of dark Wolf as like the first season you watch.

00:10:25
So I feel like that's pretty clear and it's going to make

00:10:29
you're right, particularly the ending of terminalist book or TV

00:10:31
show much because one of the biggest criticisms at the end of

00:10:35
the TV show kind of in the book too, is what the hell happened

00:10:39
with Ben? Like what his seal mate, his

00:10:42
seal brother. That's a very big critique of

00:10:45
that book. I and I understand that.

00:10:47
And then Jack was smart enough to realize that.

00:10:50
So he carries it over, not too many spoilers into True believer

00:10:54
Savage Son and maybe even beyond where Katie is asking how did

00:10:58
you know Ben wouldn't kill me? How did you know I'd survive the

00:11:00
attack? And so that storyline of like,

00:11:03
why did this happen? And this was a strange sequence

00:11:06
of occurrence that came out of the blue.

00:11:08
Like I don't know if the twist completely lands.

00:11:10
Well, that had to be unpacked under a couple of books after.

00:11:13
Like that was a lingering storyline, Reese and Katie's

00:11:16
relationship after the whole events of Ben and the debt cord

00:11:19
and etcetera. And I feel like Dark Wolf is

00:11:22
giving the space to answer that or preview that kind of get

00:11:26
ahead of it. So it doesn't seem as such an

00:11:28
out of the blue strange occurrence when you get to the

00:11:30
end of terminalist, although on TV show.

00:11:35
Speaking of Katie, and I don't want to bring it up too much

00:11:37
because there's a dark wolf podcast.

00:11:39
I don't know how they're going to sell the audience that Katie

00:11:41
and Reese are a thing or a couple.

00:11:44
So I I I've yet to see what they're going to do with that

00:11:46
and true believer. But I'm I'm putting the cart

00:11:48
before the horse there. We got a lot of story to tell

00:11:50
before that. Yeah, they are filming True

00:11:55
Believer because we will have Jack Carr coming on the podcast

00:11:59
and I've got to wake up at 4:30 AM for that because he is abroad

00:12:03
internationally filming True Believer and getting that show

00:12:07
on the road. So things to look forward to for

00:12:10
the No Limits faithful out there.

00:12:11
And TV, the Terminal Vengeance channel will also have a little

00:12:15
Jack car preview. Are we allowed to say that?

00:12:17
Yeah, I was able to talk to him a few days ago and we had a

00:12:21
great conversation. It'll probably be a two-part

00:12:25
release because I asked him some questions about the finale, but

00:12:30
I'm excited to get it out there. And you guys also talk cry

00:12:34
havoc. We did, yeah.

00:12:36
I really enjoyed Cry Havoc and I asked him some like general

00:12:42
questions. So nothing spoiled for people

00:12:44
who haven't read it. And yeah, you can tell how

00:12:49
passionate he is about Tom Reece and his story.

00:12:53
And like, I asked him, like, why this was the time to jump from

00:12:58
James Reece to Tom Reece. And we had a great conversation.

00:13:04
So the little there's a little of a side, but how did you get

00:13:08
into these books? Well, I was.

00:13:13
I guess I was just listening to a lot of audio books and I'd go

00:13:17
from subject to subject and I landed on the military and I I

00:13:23
hit like aviation and then I went into special operations and

00:13:28
found Jack Cars books because it was in that section.

00:13:32
And I just started listening to them and immediately binge the

00:13:36
first three and then I was hooked.

00:13:38
Nice. So have you ventured out into

00:13:43
like other thriller reverse authors?

00:13:47
Yeah, I've started Brad Thore and Vince Flynn and then a few

00:13:53
others out there, but mainly those.

00:13:58
And so you're, you're mainly an audiobook guy.

00:14:01
I started out in audiobooks, but I think I like physical copies.

00:14:06
Now, OK, you know, Chris and I were wondering, and I thought I

00:14:10
heard it again. There was a little phone call

00:14:13
with Tom, not Tom Reese, with Jonathan Hastings on the phone.

00:14:19
And we were both wondering if either Ray Porter was that

00:14:22
voice. I didn't go back and listen to

00:14:24
it. There's another phone call here

00:14:25
where I'm like, Oh my God, it sounds like Ray Porter too.

00:14:28
So I don't know if they actually used him in The Dark Wolf, but

00:14:31
there's some references that totally make me think of Ray

00:14:34
Porter's performance in the books.

00:14:35
Anytime we hear a Hastings, Tom Hooper or one of these phone

00:14:38
calls, I'm just like, man, that's taking me back to hearing

00:14:41
the audio book with these Rhodesian accents and

00:14:44
everything. They're getting all those parts

00:14:45
right. Yeah, he just, the way he reads

00:14:48
it is so good that when I go back and read like the

00:14:52
Terminalist, I can hear his voice like I'm reading in his

00:14:56
voice. And I did check IMDb, it is Ray

00:15:01
Porter, which is really neat. All right.

00:15:04
Oh wow. Nice.

00:15:05
Chris, I think, I think you called that one on the last

00:15:07
episode. You also made another major

00:15:10
call. Maybe it's time to get into the

00:15:11
spoilers of Episode 4. Eliza.

00:15:16
Chris, you said on our episode 3 coverage you don't trust her.

00:15:21
You think she might be a rat and and then episode 4 ends with the

00:15:24
shots in the back. What did you think when that

00:15:26
happened? I, I, I 100% saw it coming.

00:15:29
You know, you know, I feel like putting Mossad in bed with the

00:15:34
CIA. You know, we've, we've read too

00:15:36
many of these stories to know that it's, it's, you know, going

00:15:40
to go bad in, in some fashion where Israel always Trump's most

00:15:46
of the time, you know, what's going to go on.

00:15:48
But you know, I've, I feel like they were setting this up.

00:15:51
I'm super intrigued to see, you know, I, I know we're covering

00:15:55
4:00 and 5:00. So obviously setting up that,

00:15:59
you know, sort of turn there and then immediately, you know,

00:16:01
confronting it. This this show waste no time.

00:16:04
Like, you know, I I almost feel like this show could have been

00:16:06
longer. Like do you guys feel that like

00:16:09
they could have? Completely.

00:16:10
Made it and not that I think it's bad, it's not like, you

00:16:14
know, some other shows where they're jumping around too much

00:16:16
and you know it it, but I I do feel like it it could have

00:16:19
deserved, you know, a longer season just to draw some of

00:16:24
these other things. But that being said, you know,

00:16:27
we jump right back into it and then having the end of the last

00:16:31
episode end with her death like that was just crazy to me.

00:16:39
It's moving quick, and I at one point asked myself, is the show

00:16:43
a little too easy? They tease something up and then

00:16:47
the payoff is the next scene, the cutscene.

00:16:49
There's no drawing it out. And so to go from one episode

00:16:54
she turns on him to the second episode.

00:16:56
It's basically Episode 5, the Eliza and Ben show.

00:17:00
It hits them mending that relationship, being forced into

00:17:04
mending that relationship with a hostile hit.

00:17:06
We get two of these massive set action pieces and they both are

00:17:10
basically framed with Eliza and Ben's relationship in the

00:17:15
background. You know, they have to go scout

00:17:17
out the tunnel. The guard finds them, they start

00:17:20
making out. So it's like even on this

00:17:21
tunnel, OP, are things compromised because they're

00:17:24
getting too close? And Rafe even warns him and

00:17:26
confronts him about that in the let's be manly and chop wood

00:17:29
scene. With even that, I could have

00:17:32
taken a longer montage of they, they like chopped 2 pieces of

00:17:35
wood and it's cut like, no, I want to see these hunky dudes

00:17:39
cutting wood. You know, like, give me, give me

00:17:41
at least 2 minutes of that. But they jump from that too

00:17:45
quickly. And then Eliza's blown up next

00:17:47
episode right after they mend things.

00:17:49
And I think you're right, Chris, that's a consequence of seven

00:17:52
episodes. I wish this was 910.

00:17:55
I, I, I don't know how Amazon and the studios mandated that.

00:17:59
So I do think the writers room is doing the best they can with

00:18:02
those constraints. I understand a little timeline

00:18:05
compression, understand a little compression of dialogue to

00:18:09
advance storylines and relationships quicker than I

00:18:12
would like. And the one that is kind of

00:18:15
taking a backseat in episode 4 and five and and maybe why I'm a

00:18:19
little lower on them, Moe's just gone.

00:18:22
Like that impacted me not having MO after the shootout.

00:18:26
It, it seems like, well, not to say too much, but it seems like

00:18:30
it wasn't a mortal wound, like it was shot under the vest

00:18:34
somewhere in in the side in the oblique or something.

00:18:37
So it just seems like they're moving a little too quickly, but

00:18:40
then they're ignoring some storylines like that that I

00:18:42
loved. Maybe that's them trying to say

00:18:45
the team is split up. Like we haven't even seen

00:18:47
Haverford really after he took out the physicist.

00:18:51
So I guess this is trying to say the team's in shambles.

00:18:54
The team is spread out. This is the Ben and Eliza show.

00:18:56
Now. I really do help hope.

00:18:58
I know there's only two episodes left.

00:19:00
I do hope we get the MO Show and the Jed Haverford show because I

00:19:04
I want that equally as much as we've had screen time with Ben

00:19:07
and Eliza these two episodes. Yeah, I think part of that might

00:19:13
be the consequence of having a lot of major characters.

00:19:18
And I'm, I'm curious to see if people who haven't read True

00:19:24
Believer have the same critique on MO because we know he's a big

00:19:29
character, but other people aren't really going to know

00:19:32
that. Sure, we were so high on MO and

00:19:36
even Landry being tossed in here early because we know what's to

00:19:40
come with them. If I were an outsider, I think

00:19:42
looking at MO, I'd be fine with it by the look at Landry and be

00:19:45
like the Hell's going on with this guy, which again is is

00:19:49
teeing something up. But I don't know if I want to

00:19:51
say they're mishandled in their their storylines.

00:19:54
MO I don't think was in episodes 123, but I might say, yeah, it's

00:19:58
being mishandled now. And so I'm curious what 6 and

00:20:00
seven will do to bring the team back.

00:20:03
Does the team need to come back? But we need to see more of MO

00:20:06
and Jed and and those characters.

00:20:08
I really love that they put a lot of time and effort in too

00:20:11
early. Like we even get a tall show

00:20:13
here. Tall has her scene.

00:20:14
And I was really glad about that because I needed to see that

00:20:16
great, great combat scene, hand to hand action scene.

00:20:21
Someone commented under my review for Dark Wolf and they

00:20:25
said if there was a girl boss fight, then they were going to

00:20:28
be out of the show. And I knew that one was going,

00:20:31
but they did not. Yeah, they did not do the like

00:20:36
standard girl boss fight. It was like she was really

00:20:41
getting rocked and she was even like screaming for help and she

00:20:44
had to use like improvised weapons and stuff.

00:20:47
But that was a killer fight. Yeah, and I think it played up

00:20:53
it it was believable, you know, because we know that built from

00:20:56
like the well, I don't know, the first or second episode, you

00:20:58
know, when she struggled like pulling out that gun, like she

00:21:01
didn't just immediately get the shots off and and get it.

00:21:04
She had to struggle with it, you know, like you said, weapon

00:21:08
improvisation. And even to the fact that right

00:21:10
after she killed the dude, she had to throw up.

00:21:12
Like, you know, she it's emotional, it's raw, it's it's

00:21:18
true to her character. And I feel like they're doing a

00:21:21
really good job of, you know, 1 developing each of the

00:21:27
characters. But then, like you said, Mike

00:21:29
giving them their like moment. And I do need to see more of a

00:21:34
Haverford moment. I feel like we were kind of

00:21:38
peeling back the onion of him in.

00:21:41
I don't know if it was episode 4 with with Ray from the phone

00:21:43
call, but I want to see more of him.

00:21:47
And then I definitely want to talk to you guys about like the

00:21:50
rape scene, like in in in this whole interrogation and and then

00:21:55
ultimately finding out that, hey, this guy is actually

00:21:59
undercover. I was a little confused.

00:22:00
So we supposed to take it to mean that he was undercover or

00:22:05
that entire team was a German operative team?

00:22:08
I guess we don't. Do we not know?

00:22:10
That's the question. This colleague network was

00:22:13
somehow involved with the transfer of these bearings.

00:22:16
And I guess the question is, was German intelligence compromised

00:22:20
and actually someone in German intelligence, this guy's boss or

00:22:23
even this guy who's being tortured working alongside them?

00:22:26
This guy's trying to sell. No, we weren't.

00:22:28
Then are they like Mossad? Are they trying to undermine the

00:22:33
Iranian nuclear program? Did they put fake bearings in?

00:22:35
Because at one time Ben is manipulating the bearings in

00:22:39
that cinema museum rundown warehouse thing and and Eliza

00:22:43
sees him playing with the bearings and he says something's

00:22:45
not right about these. So is this a German intelligence

00:22:49
op? Is, is Germany undermining the

00:22:52
Iranian nuke deal? They actually want them to have

00:22:54
centrifuges. So they're trying to get them

00:22:56
the right bearings. I that's one of those mystery

00:22:58
boxes that I'm kind of happy with.

00:23:03
So, yeah, the torture scene with Rafe Jack car through and

00:23:07
through, right. If if James Reese isn't going to

00:23:09
be the one doing a torture scene, give it to Rafe Hastings.

00:23:12
Make him the bad ass mother fucker doing it.

00:23:14
So I was completely happy with that.

00:23:17
I don't know, I think the German thing is up for grabs and this

00:23:20
kind of parallels the shepherd. The Shepherd is compromising

00:23:25
submission and Mossad wants to figure it out.

00:23:27
That's why Eliza and Tal were actually tailing Jed, trying to

00:23:31
see, is he in on the game? Is the Shepherd playing him?

00:23:35
Is the Shepherd like this deep, deep covered double mole, secret

00:23:39
mole that ultimately is running Jed?

00:23:41
Is that what's going on here? And I think by looping in the

00:23:44
Germans and the Iranian nukes, we're seeing the consequences of

00:23:47
that. Whatever the Shepherd's able to

00:23:48
do is now having all these downstream effects of other

00:23:51
intelligence agencies having shootouts in European cities and

00:23:55
some terrorist network involved and bombs going off and car

00:23:58
bombs is a Mossad. Is it this colleague network?

00:24:03
Is it whoever is working with this German guy?

00:24:06
Is it Jed and the Shepherd? Like I think there's so many

00:24:08
mystery boxes that six and seven's got to land this plane.

00:24:11
We have to start getting answers to some of these things.

00:24:13
But I am bought into each of those storylines as its own

00:24:16
thread. Do you, would you agree?

00:24:19
TV on your channel? Have you talked about the

00:24:22
mystery box of it all and who's really the bad guy here?

00:24:27
I haven't gotten into the recent episodes, but one thing that I

00:24:32
liked about the torture scene and how that played out was I

00:24:38
think it really illustrates the fog of war well.

00:24:42
And even the bearings and the Khalid network, nobody really

00:24:48
knows what's going on. The audience doesn't know you're

00:24:51
right there with them. And I think even like episode 1

00:24:58
with Duron, there's some things that aren't black and white, and

00:25:02
I think Dark Wolf shows that and they go somewhere that most

00:25:07
shows probably wouldn't dare. Yeah, no, there there's, I think

00:25:13
look back to the scene of, you know, Ben Edwards just capping a

00:25:17
dude in the middle of a subway right after smiling at a little

00:25:20
girl. Like, you know, it's the show is

00:25:23
like I said, it's it's a little raw.

00:25:25
It's, you know, kind of showing you the trying to show you the

00:25:30
inner workings of, you know, CIA operatives, that kind of stuff.

00:25:35
I think look back to some other shows that have done this really

00:25:37
well. I think Homeland, the first

00:25:39
couple seasons, you know, slow horses.

00:25:43
I don't know if you guys have watched that show, but yeah,

00:25:47
like it's it's interesting to see.

00:25:51
I have no idea where I, you know, where this is going to go.

00:25:55
And I think that's ultimately a good thing.

00:25:58
I think it's like you said, Mike, I'm, I'm intrigued enough

00:26:01
and I'm not disappointed that like I'm, I'm pissed off like,

00:26:04
you know, other shows, like when you don't have enough intrigue

00:26:08
or there's too many loose ends with two episodes to go, you

00:26:14
know, you can kind of like check out or be like, I'm not buying

00:26:17
the show. But here I do think they have a

00:26:20
chance to quote UN quote and land the plane and wrap

00:26:23
everything up in the next two episodes.

00:26:25
And then hopefully, you know, sail us into a true believer.

00:26:29
So. Yeah, I'm, I'm a harsh critic on

00:26:32
both TV and books. So on the podcast I've had a lot

00:26:36
of hot takes. I will say I could very easily

00:26:40
be turned off by some of that and go, I don't really care who

00:26:43
the shepherd is. This is this is ridiculous.

00:26:45
No, I really care. Like I really want to know who's

00:26:49
running who. And they sold me so hard on Jed

00:26:52
being the good soldier, right? Being the the faithful one, his

00:26:56
whole life is in this decades of experience.

00:26:58
He was involved in Stuxnet, he was involved in other

00:27:03
operations, even mentioned Lebanon and Beirut and really

00:27:09
cool flashback. They even show footage from the

00:27:11
Beirut bombings. And knowing that was another one

00:27:13
of Jack Carr's books and one of his, you know, personal pet

00:27:16
projects with amazing book by the way, to actually bring that

00:27:20
into the show and have that with the character of Jed.

00:27:22
I was loving. I was eating it up.

00:27:24
I was lapping it out of their hands and now Mossad is trying

00:27:27
to convince us Jed is compromised.

00:27:30
Jed's been being played. I'm very much bought into that.

00:27:34
So I'd be the first one to critique these things if I

00:27:36
didn't think they were working, if I thought they were cheap

00:27:39
cuts or easy way out or they're taking shortcuts, cheap shots.

00:27:42
I not at all. I think they built this up

00:27:44
really well. I think the storytelling is

00:27:46
great, and maybe that's because they're unburdened by a book.

00:27:50
The Terminal is first season. Some of the best parts and

00:27:54
characters were people off book that the screenwriters just felt

00:27:57
free to do so and tell the story they need to tell, write

00:28:01
dialogue they need to write. And some of the scenes that

00:28:04
didn't land were ones where they tried too hard to be faithful to

00:28:07
the book but couldn't or didn't and it got sloppy.

00:28:11
I feel like the show really has the freedom to let the writers

00:28:14
do what they need to do and tell the story they need to tell and

00:28:16
it's and it's mostly working. Yeah, I think they have.

00:28:21
I think this is what happens when you have like 10 master

00:28:26
storytellers together instead of 1 and they get it.

00:28:29
Create something and everybody gets to put their input in and

00:28:34
the best idea wins instead of I mean the books are really good,

00:28:39
but when you have a bunch of people to bounce ideas off of, I

00:28:43
think you really get the best product you can.

00:28:48
And I'm just looking at like the writers of each individual show,

00:28:52
you know, or each individual episode.

00:28:54
So we have episode 1 was story by Jack Carr and Dave Djilio,

00:29:00
who producer on the show. Then we have two episodes by

00:29:06
Matt Mac Adams, episodes two and three.

00:29:09
And that you can kind of see like, you know, thinking back to

00:29:11
those two, they they kind of had a a cohesion to them.

00:29:17
And then I'm looking to see what's coming up.

00:29:19
So episode 6, it's called titled Pawns and Kings is written by

00:29:24
Mad Max Adams and then Jared Shaw, who we know is Boozer and

00:29:30
also producer on the show. And then we finish up with the

00:29:34
the season finales written by Jack Carr and David Digilio

00:29:36
again. So.

00:29:39
Interesting. I'm I'm kind of very happy to

00:29:42
hear that the last two episodes have Jared Shaw, Jack David

00:29:47
Degilio working on it because yes, the screenwriters, all the

00:29:50
other people who are in the room putting in their two cents, but

00:29:53
just those names as well-being in the room.

00:29:57
You're you're right TV and saying that is just a masterful

00:30:01
lineup and we're seeing that come through now.

00:30:05
Did you all catch and I could have been mistaken.

00:30:08
Did Gordo come back from the dead?

00:30:11
Gordo, the man himself, Jack Carr, was he one of those bad

00:30:15
guys in the tunnel shootout? I think he was the guy who tried

00:30:18
to get out of the SUV in the passenger side and just got shot

00:30:23
immediately after they they boxed him in.

00:30:25
I could be wrong, but actually I could hold it up to the screen.

00:30:28
I really think that was Jack Carr cameo.

00:30:30
Do you know anything about that TV?

00:30:31
If if I'm right on that. He's posted some pictures on

00:30:35
Instagram. There he is, the man, the

00:30:39
legend. The only character in the

00:30:41
terminal is to come back from the dead.

00:30:43
Yeah, I talked to him the other day and he was saying that they

00:30:51
were planning on him being able to get a few shots off, but the

00:30:56
timing wasn't right, so he had to go down immediately.

00:31:00
Yeah. He I, I saw that he posted.

00:31:03
He's like I, I, I, I think he said he lasted less than not as

00:31:07
long as he did in in terminalist so.

00:31:11
He actually got like a walk up scene in that one where you see

00:31:13
him in the mirror and he's walking into the restaurant.

00:31:15
Yeah, it was quicker here. That's funny.

00:31:20
Oh, so Speaking of these action scenes, these shoot outs, we we

00:31:22
essentially have between these two episodes, the tunnel hit and

00:31:27
that's compromised the hostel and that whole shoot out and

00:31:31
then we have the towel fight. Do you feel like each of those

00:31:35
did enough to live up to what they established?

00:31:37
I mean, when we opened with that bridge scene when we were on the

00:31:40
front lines of Iraq, I think they swung big in that they are

00:31:43
going to get the action, the military, the shootouts, right.

00:31:47
These two episodes I felt in the two big set action pieces

00:31:51
pivoted to more of like a video game, almost not easy to buy

00:31:55
into. It almost seemed like these

00:31:58
these bad guys were just being spawned.

00:32:00
All of a sudden they're like MPGS just spawning out of the

00:32:02
blue. It reminded me of Tom Clancy,

00:32:04
like playing Rainbow 6 and having to do, I don't know about

00:32:07
you guys, but I spent hours on the library trying to take down

00:32:10
all the guys in the library and the terrorists.

00:32:12
Just you turn a corner and then you know exactly where they're

00:32:14
going to spawn each time. I don't know.

00:32:16
I was a little taken out of it by the video game esqueness of

00:32:18
it all in those two shootouts. So as action set pieces, they

00:32:22
just fell a little lower for me than what they had in the first

00:32:25
few episodes. I don't know if you feel the

00:32:26
same way. I don't know I I'll agree with

00:32:33
you that the when they're at the hostel scene like that, but

00:32:37
while it was cool and like you know showing off Ben and and I

00:32:43
blanket on her name, but Eliza what's her name?

00:32:47
Eliza's you know readiness as operators.

00:32:51
Yeah, like they're kind of they know exactly where like the

00:32:55
shoot is going to pop and I guess it's kind of showing their

00:32:57
ability to work together. Like even though like they're

00:32:59
just like kind of met each other.

00:33:01
I did really like the tunnel scene.

00:33:03
I felt like that captured this, you know, close net the the way

00:33:08
they shot it. Like they were very close on

00:33:10
like, you know, wasn't like this.

00:33:11
We didn't really see this wide perspective.

00:33:13
We were close in with the, you know, people as they're going

00:33:17
and multiple times in these two episodes and we've we've seen

00:33:22
this throughout the series where they do like, you know, when a

00:33:25
bomb goes off or a frag goes off, they'll they'll slow

00:33:28
motion, but like the, the sound is still saying staying the same

00:33:32
speed. And then they speed it, you

00:33:34
know, and then they quickly speed up the camera again to

00:33:36
bring it back into Pat. Like how many times is Ben

00:33:38
Edwards going going to get a good shot or, or have to jump

00:33:42
out of a, an exploding vehicle or, or jump from some sort of

00:33:47
explosion? And and and and be, you know,

00:33:51
still OK, but I, yeah, I, I, I'll agree with you a little bit

00:33:56
on the for sure the hostile scene, but I did, I did quite

00:33:59
like the ton of scene. We, we said in the first 3

00:34:01
episodes it wasn't Grey Manesque, it wasn't over the top

00:34:04
bombastic violence and the shootouts were, were not

00:34:07
believable. And then this episode I felt

00:34:09
like it was a little more Grey Manesque.

00:34:10
You know, he's just surviving everything and then the car bomb

00:34:13
at the end. So TV, I'll let you go.

00:34:14
But yeah, I, I agree with you there.

00:34:16
Just felt a little bit less realistic then they established

00:34:20
early on. Yeah, And I guess one thing

00:34:25
would be earlier on in the season, Ben and his team are in

00:34:30
control of the fight, Sure. And at this point, he's not with

00:34:34
his team and he doesn't get to choose which cards he's going to

00:34:40
get. He's really getting rocked in

00:34:43
those fights and he he doesn't really have control like he did

00:34:48
it earlier on. I guess that speaks, that's a

00:34:51
great point. I guess it speaks to the

00:34:53
resources available when ACIA lone Wolf or dark wolf

00:34:57
operation, you know, couple of you guys just out on on the

00:35:00
fronts in the middle of a residential European city versus

00:35:05
a battlefield, an entire QRF on standby air support, gunboat

00:35:09
support, which I had on the river.

00:35:11
You know, the 50 cals, it's, it's really just you in the

00:35:15
street hiding behind walls and barriers, trying to blend in,

00:35:19
trying to escape. So I think you're right.

00:35:21
Maybe that speaks to the different mission parameters and

00:35:23
resources available on ACIA Black Ops team when things go

00:35:28
South verse a military front lines battle where things go

00:35:31
South, totally different procedures, totally different

00:35:33
set of operating rules. And so yeah, I that makes it

00:35:37
more viable, more believable to me.

00:35:39
I think that's a great point. And it's a far cry from when we

00:35:43
saw Rafe and Ben acting as these wolves, you know, when they're

00:35:48
trying to take down the the one arms dealer in what was that

00:35:52
episode 2 in the audition to now, you know, and it's even

00:35:59
echoed with Hastings is, you know, reservations about this

00:36:03
operation in terms of 1 collateral damage.

00:36:06
Two, we don't have the full picture, but you know, again, I

00:36:11
think it's also like that progression of Ben Edwards's

00:36:15
character in to how he's just has to continue on down this

00:36:20
path. And like, there's no going back

00:36:22
to him being like he was in the teams, you know, Like, yeah, he

00:36:26
has that knowledge, but he is becoming, you know, this entity

00:36:32
and that that is what these people do.

00:36:34
And that's the theme of Put on the Brakes, Rafe and Ben having

00:36:37
different philosophies. Rafe is totally now like, shit,

00:36:40
I should have put the brakes on. Like I, I took the guardrails

00:36:43
off hit and killing this German intelligence guy, torturing and

00:36:47
killing a friendly on in German intelligence.

00:36:50
Ben would be Ben and Eliza would be like, I don't care.

00:36:53
Like mission above self, mission above allies, mission above all

00:36:58
else, kind of the Mossad tagline, if you will, the

00:37:01
Israeli self determination self preservation line.

00:37:05
And Rafe is, I think, skirting with that and realizing that's

00:37:08
not where I want to go, and that's not where I want my

00:37:10
country to go. That's where I don't want my

00:37:12
country's intelligence apparatus to be forced to go.

00:37:15
And we're seeing Ben basically say, I'm fine playing by those

00:37:18
rules, especially now that they took Eliza from him when he

00:37:21
takes the bracelet. I'm wondering if that bracelet

00:37:23
was also a tracking or listening device.

00:37:27
I'm curious about the bracelet. Hopefully, I'm not too much of A

00:37:29
skeptic. Hopefully it's just a nice, you

00:37:31
know, heartfelt story about it and her child and her daughter.

00:37:35
I just think that's the difference between Ben and Rafe,

00:37:37
which has also been very compelling of where.

00:37:40
Where do they come out on the other side?

00:37:42
Let's say both of them finish this up, survive it or out of

00:37:46
the game, if you will. As much as you can be out of the

00:37:48
game, Where they come out on the opposite side is miles apart.

00:37:53
And they were both brought into the game in the same, on the

00:37:58
same page, being kicked out of the teams, having to cover for

00:38:01
each other, lying to military command, putting their asses on

00:38:03
the line, making up this fake story.

00:38:06
The Brotherhood is going to stick together no matter what.

00:38:09
Covering for Ben Now Ben goes loose cannon and Rafe is trying

00:38:12
to reel it in and realize I didn't want to go that far.

00:38:17
They started a little closer together.

00:38:19
They're going to end up on the other side, miles apart, which

00:38:21
again illuminates things that happened later on down the road.

00:38:24
So it's a great prequel story. It's a great story on its own.

00:38:29
It's an amazing prequel story to Ben Edwards and Ray Hastings.

00:38:36
Alright, TV, why don't you give us some predictions for what you

00:38:39
think how this story is going to end in the next two episodes?

00:38:42
Oh. Dangerous.

00:38:43
I've I've actually seen the other episodes already.

00:38:47
Oh do you have Wow got some screeners?

00:38:50
Did they have the watermark on them?

00:38:52
They did, yeah. Yeah.

00:38:54
OK. Oh.

00:38:58
So I guess, I guess we, we don't want, we don't want put you any

00:39:02
sort of compromising and I I don't want any spoilers.

00:39:04
But you've, you've been good then holding back with us and

00:39:07
with the audience. You've been really good at

00:39:09
holding back and sticking to episode by episode without

00:39:12
jumping the gun. Kudos.

00:39:16
Yeah, it's made so well, I would not want to spoil it for

00:39:19
anybody. OK, that's great.

00:39:22
That's great. It's good to hear.

00:39:24
How about this then? How about episodes four and five

00:39:26
as a package? What would you give us a letter

00:39:29
grade? You know, imagine you're, you're

00:39:31
sitting through your exams. What's the, what's the letter

00:39:33
grade you get? And then overall so far on what

00:39:37
you've seen in the season, what would you give overalls letter

00:39:39
grade? Oh.

00:39:43
I'm John the Spot a different way.

00:39:44
Yeah, I'm not a very harsh critic, but seeing Wraith be the

00:39:54
character that we know from the books and seen the fights that I

00:40:00
expected when I saw the teasers, I'm going with an A.

00:40:06
And man, another moment from Episode 5 that just gave me

00:40:11
chills was when Simple Man came on.

00:40:15
And yeah, man, like that was just Ben's song and calls back

00:40:19
to the first season and Jared Shaw's story.

00:40:24
That just really hit home. The needle drops in this in this

00:40:29
season is are really good. Yeah.

00:40:31
Big, big budget on that too. Soundtrack's been good now.

00:40:34
They played the actual Lynyrd Skynyrd version in the car at

00:40:37
the end, but the opening credits are a different version.

00:40:42
Yeah, and what? Do you think of the opening

00:40:45
credits? The intro.

00:40:48
I like them. Pretty good Muscat.

00:40:53
I haven't only because I've really been trying to look for

00:40:55
the details. We had Tyler Booer, another

00:40:58
super fan, Jack Carr, super fan on the pod a bunch of times and

00:41:01
he's the man for spotting gear. He he eats up every time Jack

00:41:04
Carr pushes, you know, gear in the books, which turned some

00:41:07
people off, but he's also a gear head.

00:41:08
So he was able to spot everything in Reese's.

00:41:12
What was it his garage or his workshop in the terminalist?

00:41:15
So I really like how they went with Ben's abode, slightly more

00:41:19
humble abode more. Not quite trailer park, but

00:41:22
almost to that level compared to Reese's in season 1.

00:41:27
His home with a family, he settled down, he's got a

00:41:30
daughter, he's got all his nostalgia, he's he's got his

00:41:33
weapons, he's got his patches. He's like.

00:41:35
It's a very good contrast seeing Ben Edwards personal life peek

00:41:39
behind the curtains than what we saw with Reese.

00:41:43
Yeah, and I love how in the Dark Wolf intro, it's like showing

00:41:50
with objects two different bends.

00:41:53
Like there's I think a sink and it doesn't have pills.

00:41:56
And then it does have, it has pills and some alcohol, and then

00:42:00
just other things around the boat like scuba tanks and spear

00:42:06
guns and then his weapons. And it just shows, like I think

00:42:12
him in the first season and then him now and him as a warrior and

00:42:18
then when he's off on his own. Yeah, and he fades.

00:42:22
I really like when that light goes to dark, he's standing in

00:42:25
the kitchen and and he fades. It's almost like his humanity

00:42:28
fading. I I think it's really symbolic

00:42:31
and well done. I think there's also a a

00:42:35
silhouette of someone's arm that you'll know if you've seen the

00:42:38
first season. Now I got to look for that.

00:42:43
Is that when he's standing there?

00:42:44
That's when you see that. Yeah, see, I'm not, I'm not good

00:42:51
at picking up Easter eggs. I have an attention span of like

00:42:55
a goldfish I guess. Well, Chris, there's a good

00:42:58
YouTube channel for you. We can help you out.

00:43:00
Yeah, I know, I know, I know. That's that's what we need.

00:43:02
That's what we need. Letter grade four and five is a

00:43:08
package. I don't know if I went like I

00:43:11
went B plus for Episode 1 and then I went straight A for 2/3.

00:43:15
I don't know, I think I'm going to go back down to like an A

00:43:17
minus for these. They're I don't know, I I still

00:43:23
like the progression of the story.

00:43:24
I like the introspection we're getting with, you know, this

00:43:28
sort of dichotomy between Rafe and and Ben throwing in some

00:43:32
action, they're throwing in some intrigue and it's got me super,

00:43:37
super looking forward to the next two episodes.

00:43:40
Like I can't wait for I don't know when Amazon does their

00:43:43
drops. Like I know it comes out

00:43:44
tomorrow. We're recording this on Tuesday,

00:43:47
September 16th. So like does it come out tonight

00:43:50
at midnight like or 3:00 PM like Pacific Time like or 3:00 AM

00:43:55
Pacific Time like I don't know. But I would watch it tomorrow

00:44:00
morning if it's available. Yeah, good.

00:44:01
Question like get to work early and then then hide my cubicle

00:44:05
and watch it? Yeah, and we, we were going to

00:44:09
package episode 6 and seven as our final episode.

00:44:11
If 6 does something phenomenal that we have to kind of jump on

00:44:15
and get that one done, we we may do that, but otherwise you won't

00:44:18
hear from us again talking Dark Wolf until episode 6 and seven

00:44:23
are out and we have a conclusion.

00:44:24
And we will be bringing on Tyler Brewer.

00:44:26
So yet another Jack. Our Supervan doesn't have his

00:44:29
own awesome YouTube channel about Easter eggs and spoilers,

00:44:32
but we'll talk to him about the conclusion.

00:44:38
Well, why don't you leave us with a plug?

00:44:40
We talked a little bit about your channel.

00:44:41
You opened up with it. Just tell the people where they

00:44:43
can find you. And how can people get into

00:44:45
Terminal vengeance? Yeah, my main platform is

00:44:50
YouTube. I try to be consistent with my

00:44:52
videos and I've built a pretty good community there and I love

00:44:58
interacting with other fans. But you can find me at Terminal

00:45:02
Vengeance on YouTube, Instagram and X, and I'm also launching my

00:45:07
website here shortly. Nice, cool.

00:45:11
That's awesome. Yeah.

00:45:13
No, this was this was great. I think one, I'm happy to see

00:45:19
younger, the younger generation like diving into these books

00:45:23
and, and, and enjoying these because, you know, it wasn't

00:45:27
long ago that I was in college and my buddy Mike and my buddy

00:45:32
Tom handed me my first Brad Thore and and Vince pin book.

00:45:35
And then, you know, they had a sucker for life, the Emily

00:45:39
Bessler books. And but, you know, I think it's

00:45:43
just the more we can build this community, the better.

00:45:47
So I encourage all of our listeners to go out there, check

00:45:50
you out, hit hit that subscribe button.

00:45:53
Yeah. And I look forward to watching

00:45:54
more. More of your Easter eggs for

00:45:57
sure. Thank you.

00:46:03
Yeah, thanks for coming on. Maybe we'll even get a chance to

00:46:05
talk Cry Havoc with you once that book comes out.

00:46:07
So when or any other time, we'd love to have you back on on the

00:46:10
show. So stay in touch.

00:46:12
And and thanks for all that you do to expand the Jacquard

00:46:15
universe. Yeah, thank you for having me.

00:46:18
This has been a blast and I'd love to come back on, but if not

00:46:22
I'll still be listening and I love what you all do.

00:46:27
Appreciate it. Thanks.

00:46:28
Thanks dude.